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This year — marking the Notorious R.

The feature film On the Basis of Sex. Felicity Jones steps into the role of Ginsburg but this adoring biography ends well before she is sworn in as one of the Supreme Court nine. The film is actually the story of Ginsburg as a student and groundbreaking lawyer — a sort of origin story for a real-life super hero.

On the Basis of Sex is actually split into two parts. The first establishes Ginsburg as a brilliant and indomitable young woman. We see her attend Harvard Law School in the mids as Nwe of only nine women, all facing a sneering welcome.

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And when her Harvard-attending husband the wonderful Armie Hammer battles cancer, she attends all HIS classes as well to take notes for him. Ginsburg still graduates at the top of her class, but no firm will hire her.

Truth be told, the second part is the more interesting. The story flashes forward to when Ginsburg — now a law professor at Rutgers — starts shaping cases she would bring before the Supreme Court, arguing Concoed the Equal Protection Clause of the 14th Amendment guarantees Real sex in Concord New Hampshire rights for women.

There are ugly behind-the-scenes maneuvering and compromises, as the stakes get high. Her husband pretends to be clueless.

But her speech in front of the Tenth Circuit Court of Appeals will inspire you to drop everything and enroll in law school. So, not much dirt is thrown. The only person who maybe comes off better than Ginsburg is her husband, who is not only a progressive spouse and father but also carefully finds moments to inspire and help his wife.

He helped her argue her case in appellate court and he even found the obscure case she used to change the world to boot. There are some odd transitions, unexplained legal decisions and a reliance on cliches, like montages of legal briefs being written on typewriters Nes music swells.

On the Basis of Sex marks a return to feature film directing from Mimi Leder, who has been badly missed. Leder, who has directed action the underappreciated The Peacemaker and drama The Leftovers somehow makes a wonky court case about Section of the tax code, which deals with dependent care expenses, into a nail-biting thriller.