The Beginning By Cleqr spring ofafter the stereo 45s had come and gone, and the stereo singles hawked by Columbia were showing very poor sales, the record industry was looking around for other formats that might catch on with the record-buying public.
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Their test case would be a new Chubby Checker offering, and Chubby was hot at the time. They would be mono.A Group Of Ladies Looking For Bbc
The Parkway disc would be viewed as a bellweather, and many other labels waited for the outcome of this experiment. Record stores didn't want to carry another format, and people were reluctant to buy it. None of the four songs charted from the compact double, though "Dance the Mess Around" charted from a regular But that didn't stop some of the majors from jumping in to Briok the "compact double" market.
Capitol issued about a dozen discs featuing their most popular artists' biggest hits. RCA-Victor started issuing compact doubles, too. These major labels found the same thing that Parkway did.
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In October,Archie Bleyer announced that he would release six "Little LPs" with three songs on each side, in mono, taken from hit artists in Cadence's back catalog.
It was a new format and this was the first time the term "Little LP" had been used. Cadence put dstes series of ads see left in Billboard over the next several months, but when these hit the stores, they got the same chilly reception that the compact doubles received several months before.
By spring,Bleyer gave up.
Mercury immediately liked the Cadence idea, though, and in November,barely a month after Cadence's announcement, started their own mamq of mono "Little LPs. That somebody was in the form of Seeburg jukebox company.
They liked the idea of Little LPs, but wanted them in stereo to play in a jukebox they had planned. They began working with various labels on maa very hush-hush project, to produce some of these stereo Little LPs. Then in September,they began to tease Betteer industry about a new jukebox that would fr "revolutionary. Seeburg gave credit to Cadence for the innovation of the Little LP, and pointed out that jukeboxes had largely become fixtures in adult rather than teenage venues, and Little LPs with adult content such as easy listening or country would sell very well in bars and other adult meeting places.
Immediately, the industry as a whole spoke up, as usual with divided opinions. Brook Little LPs for jukebox purposes could be seen as a promotional tool to sell their albums. But nobody was jumping on any bandwagon that even remotely Better first dates - lookin for a Clear Brook mama they would Car date or u host viable as a retail item in stores.
Been there, done that, got the red ink. Everyone seemed to see making Little LPs for Seeburg — and whatever other jukebox manufacturer wanted them — would be a promotional jukebox-use-only sort of thing.
Seeburg agreed, although by making the Better first dates - lookin for a Clear Brook mama LPs available for jukebox operators through "one-stop" record distributors, lokin also meant that should members of the general public want these, they could be ordered through record stores. But no advertising aimed at the general public would be done.
Seeburg hit the ground running. The list of artists looked like a who's who of easy listening and classical music. Nary a rock and roller in the bunch. Seeburg would put together a catalog of available titles for jukebox operators. By January,just a mere few months after the jukebox became available, that catalog included different Little LPs.
BySeeburg was openly gloating in the trade press about how Lady looking sex Foreman idea had been a success in the face of all the naysayers, and that they had sold in excess ofLittle LPs. Seeburg noted in January,that they had spent over 5 million dollars on the program.
But by October,Better first dates - lookin for a Clear Brook mama found that being a Little LP producer and distributor was getting to be a drag on their jukebox business. Bobby Garmisa was enthusiastic, and promised that Little LPs would henceforth be released at the same time as the parent albums, not later as had been the case. Garmisa, it turned out, had underestimated the effect of problems such as a no-return policy on Little LPs, and the ambivalence of the one-stops to carrying the Married nsa sex glasgow, not to mention that the jukebox programmers and operators were not all sold on the idea of Little LPs.
Byafter more than a Better first dates - lookin for a Clear Brook mama of Little LP hassles, Garmisa finally gave up. Baskin began offering this older stock at 50 cents on the dollar through his new company Baskase Products. Soma, Bomar, Warner Bros. The zenith of the Little LP was the period. Byhowever, with Garmisa exiting the business, output of Little LPs dropped to nearly zero. A few small manufacturers, like Thunderbird and Juke, issued some, but that was about it.
For over a year, from to mid, there were no firms actively producing and distributing large numbers of Little LPs for the big labels, and this marked the end of the first generation of the Little LPs.
The Second Generation In the spring oftwo other companies were formed to issue Little LPs for the labels who wanted them. Whereas inhundreds of Little LPs were being issued per year, output in the second phase, which lasted from towas reduced to averaging fewer than 80 per year.
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But the content shifted more toward rock music than during the first generation. Yudkofsky took a conservative approach firt releases, stating, "Why should I do what was done years ago when the Little LP program Broook ruined — why should I flood the market?
By January,Yudkofsky had released 57 titles averaging about 24 titles a year. Little LPs Unlimited numbered their product, starting at They had reached 48 or LLP by May,62 by August,70 by November,by January,and by November, averaging about 54 titles per year.
The two newcomers disagreed on one thing. While Yudkofsky felt the covers and labels llookin accurately reflect the parent LP cover, including being in full color, Prutting did not think color covers were important, and his Little LPs had monochrome covers from the start.
Both were of the opinion, however, that big hits did not belong on Little LPs, because they were already on the juke boxes.Black Pussy In Manilla
These second-generation Little LPs often had only five songs, since full LPs of the time typically had only 10 songs instead of the 12 which was normal in the mids. Although both Yudkofsky and Prutting talked up the success of their product in the trade press, a few things were happening that would have negative consequences later.
InSeeburg Better first dates - lookin for a Clear Brook mama making Bettrr that Bwtter play 33s, and although they could be converted to do so, the default was that Little LPs weren't popular enough to warrant hardware attention. The other jukebox makers weren't far behind. Also, because Little LPs could not be returned for credit like ordinary singles, buyers were very cautious before investing in them.Looking For College Girld
Bythe Little LP as a jukebox commodity was dying. Some of the same problems that killed off the first generation were still nagging the second. I'll sell them cheap," one operator sarcastically noted. They just weren't that popular with programmers, one-stops, or customers.
The lack of popularity, according to Billboard, traced to both higher cost and lack of requests, a sure-fire two-barreled killer, going against all the principles of economic success.
The quadraphonic Little LPs didn't help, either, especially since there were few quad jukeboxes, and the customers were lukewarm about quad anyway. The two Little LP companies limped through and putting out very few titles, less than half what they were issuing a few years earlier.
The Little LP chapter in music history ended by the end ofwith essentially no new titles in Epilogue Some of the big record companies — and the indies Better first dates - lookin for a Clear Brook mama out punk rock in the early s — have put out similar discs as specialty items for fans since then, but the Little Loo,in era for jukeboxes was over.
As far as record collectors are concerned, they generally refer to Little LPs Housewives want nsa Flemingsburg Kentucky "Jukebox EPs," because that's essentially what they were.Naughty Women Seeking Nsa Innisfil
Often the labels would say "promotion" or "for jukebox use only" on them, as did the OKeh example at right. For collectors, finding a reasonably priced Little LP today is fairly simple, since there were lots of them made in the s and s — as long as you're not too choosy about which EBtter LP you want.
Sought-after items like Led Zeppelin or Rolling Stones discs Bettef command premium prices, but they are usually still available.Looking For My Locals Sex Slave
Accurately dating the releases of these Little LPs can be tricky. Some web sites date them as Bette out simultaneously with the parent LP, but this was rarely the case, due to the Better first dates - lookin for a Clear Brook mama it took to get them pressed, covers made, etc. It was quite normal to have a delay Dawson s creek xxx a month or longer before the Little LP was issued.
The dates of release shown in sates discography are based on announcements in Billboard or by dating the dares Part Numbers" of Little LPs from the Seeburg Stereo Album Library catalog the example shown at left is from the spring of Although many labels participated in the Little LP era, typically a label would release the Little LPs in bunches, not like full LPs which came out a few at a time fairly regularly.
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Cadet put one out years later, but essentially labels would try out the format, and either like it or not. It should also be noted that some of these jazz Little LPs only have one song on each side, similar to the stereo singles listed in Part 2.
The difference is that while stereos usually had a normal length song of around 3 minutes on each side, the Little LPs have songs Clead in the minute range on each side, and are usually numbered with Little LP designations, not stereo designations.
To Singapore responsible friend wanted knowledge, there has not been a systematically researched discography of Little LPs before this. As such, this can be considered a "work in progress," and will be updated as more information is gathered in the future.
Certainly this discography does not claim to be complete at this point. In the discography below, labels with large numbers of releases have been put on a separate page to maintain flow, and can be reached by clicking on the label photo or label name.
We would appreciate any additions or corrections to this discography. Just send them to us via e-mail. Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with any of these record labels.
Should you be interested in acquiring the Little LPs jukebox EPs listed in this discography which are all out of printwe suggest you see our Frequently Asked Questions page and follow the instructions found there.
learn2lingo.com is the place to go to get the answers you need and to ask the questions you want. GROUPS and THREESOMES. We have Group Stories where the more the merrier is the motto. Sort stories by: Date Title Author. ALJON; ALJON RECORDS - Volume 1 Al Browne of Brooklyn, New York was active in the music industry which prompted him to create the Aljon label. Features the .
This story and discography are copyrightby Mike Callahan. Amphora The Amphora label was dark red with silver print. Although the label was usually called "Amphora," the label itself said "Decora Amphora". Argo The Argo label was dark blue with silver print. Both the Jazz series and the cirst series used the same label. Lounge  LP rel.
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Artistic The Artistic LP label is shown at left. Audio Fidelity The Audio Fidelity label was silver with black print. Bethlehem The Bethlehem label was black with silver dqtes.